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Gone Fishing

RRP $10.99

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Nine-year-old Sam loves fishing with his dad. So when his pesky little sister, Lucy, horns in on their fishing trip, he's none too pleased: "Where's my stringer? / Something's wrong! / The princess doll does not belong!" All ends well in this winsome book of poems-each labelled with its proper poetic form, from quatrain to tercet. Together the poems build a dawn-to-dusk story of a father-son bond, of sibling harmony lost and found-and most of all, of delicious anticipation. Charming line drawings animate the poetry with humour and drama, and the extensive Poet's Tackle Box at the end makes this the perfect primer to hook aspiring poets of all ages. AGES: 6-9 AUTHOR: Tamera Wissinger was inspired to write this novel-in-verse after writing "Night Crawlers," a poem that stemmed from her fun childhood memories of night crawler hunting with her dad before fishing trips. She is a graduate of Hamline University's MFA Writing for Children program. This is her first book. Matthew Cordell and his brother Eric were all-around best buds. They grew up in a small town in South Carolina, where his family would often take fishing trips together. Matthew is the illustrator of Like Pickle Juice on a Cookie by Julie Sternberg and Justin Case by Rachel Vail. Colour illustrations


A Phenomenology Of Working-class Experience

RRP $161.99

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This moving and challenging book by Simon Charlesworth deals with the personal consequences of poverty and class and the effects of growing up as part of a poor and stigmatized group. Charlesworth examines these themes by focussing on a particular town - Rotherham - in South Yorkshire, England, and using the personal testimony of disadvantaged people who live there, acquired through recorded interviews and conversations. He applies to these life stories the interpretative tools of philosophy and social theory, drawing in particular on the work of Pierre Bourdieu and Merleau-Ponty, in order to explore the social relations and experiences of a distinct but largely ignored social group. The culture described in this book is not unique to Rotherham and Charlesworth argues that the themes and problems identified in this book will be familiar to economically powerless and politically dispossessed people everywhere.



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